Milani

Release Radar: Sannhet – So Numb

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The onslaught of new releases continues this week – Sept. is crushing it!  While I’m not excited by this release, my curiosity will get the best of me hoping that the Foo Fighters change things up a bit with their new album “Concrete and Gold”, I have to respect Myrkur for attempting to play black metal as a solo female in a genre that is completely male-dominated so I’ll check out her second LP “Mareridt”, lo-fi pretty strange pop artist Ariel Pink has a new album “Dedicated to Bobby Jameson” which I plan to check out if only to see how well his drugs were working while recording this album, underground hip-hop duo The Cool Kids are releasing what they are calling their first LP (even though it’s their second) titled “Special Edition Grandmaster Deluxe”, Rostam is releasing his first solo LP “Half-Light” after being a member of Vampire Weekend and collaborating with many other artists on their recent albums, Prophets of Rage, comprised of the instrumentalists in RATM and Chuck D. and B Real on the mic have released their first LP which is S/T, Austrian death/black metal band Belphegor are releasing their 11th album “Totenritual”, The Contortionist’s 4th progressive rock LP “Clairvoyant” is out today and finally just for the title alone I must mention the new release from technical/death metal band Gigan “Undulating Waves Of Rainbiotic Iridescence”.
 
I also must mention the passing of Grant Hart this week after a battle with cancer.  He’s most notable for his work with legendary band Husker Du as their drummer/songwriter/vocalist.  If you’re not familiar with Husker Du, then you have some homework to do over the weekend.
 
I’m assuming most of you haven’t heard the band I’m featuring this week – the three piece instrumental band out of Brooklyn who call themselves Sannhet.  It’s a little difficult to describe their atmospheric sound, but it’s a mix of post-metal, sludge and black metal that is more accessible once you remove the vocals.  Without the screaming, wailing or guttural vocals mixed in the sound, I think a lot of people who don’t normally listen to this type of music may find it intriguing.  Sannhet is composed of guitarist John Refano, bassist AJ Annunziata and drummer Christopher Todd.  They first formed in 2010 and made a name for themselves with their intense live sets – not only instrumentally but also visually.  They released their first album in 2013, followed by a couple of EP’s.  Their second album came out in 2015. 
Most recently (in August), they released their 3rd LP titled “So Numb”.  On this most recent release, the post-rock elements take on a larger influence while the black metal and sludge take a back seat.  They have evolved their sound to a point where it’s become their own and not stereotyped by any genres.  Sannhet’s music on their latest album provides a lot of emotional moments and is defined more by feelings or moods than the specific music they are playing.  This is some of the best instrumental music I’ve heard since the Russian Circles album “Guidance” they released last year.  I’ve included a few songs to check out below – unbelievable how few views the first two currently have.
Image result for sannhet so numb
 
So Numb – The title track jumps right into things.  This is a more upbeat and faster tempo track.  Regano’s guitar provides the atmosphere on this song, while the drums and bass rumble along locked in together.  The song builds in intensity as it unfolds and then winds down a little in the middle before building back up again.  I hear some elements of Deafheaven.  My favorite part is near the end when a second guitar comes chugging in to help close it out.
 
Sleep Well – This track gives off a more anxious vibe, spurred mostly by the guitar.  The rhythm section provides a heavy beat which propels the song forward.  Don’t listen to this if you’re running late for something, it will only make the situation more manic. 
 
Way Out – This track actually got a promo video from their label, Profound Lore, so the views have actually reached 5 digits instead of 3.  Distorted bass drives this song forward, as the whole band is locked in tight.  Regano’s guitar almost takes on the sound of a synthesizer – a ton of atmospheric sound coming from his amps.  The band takes the song down almost to a standstill before breaking back out for a frantic ending.

Release Radar – Arcade Fire: Everything Now

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What an outstanding and eclectic collection of new releases this week!  What should be considered a legendary band, the under-appreciated Living Colour release their 6th studio album “Shade” today (this is the music I went to first to hear)San Francisco indie-rockers Deerhoof are presenting their 15th album in 20 years“Mountain Moves”, laughing at Deerhoof’s longevity, L.A. experimental synth band Sparks celebrate the 46thanniversary of their first album release with the new LP “Hippopotamus”, speaking of longevity, Neil Younghas a collection of solo acoustic recordings from ’76 out today with “Hitchhiker” (sounds great btw), laid back singer/songwriter Jack Johnson’s 7th album is out today “All the Light Above It Too”, one of my favorite two person bands Death From Above (now minus the “1979”) unleash their 3rd album “Outrage! Is Now”,Canadian indie noise-pop band Alvvays have upped their game on their sophomore album “Antisocialites” and last but not least The National attempt to inject a few welcomed raucous sounds into their 7th album “Sleep Well Beast” to hopefully ensure they don’t become solely featured as background music at hipster dinner parties. 
Ok, I’m featuring the latest album from Arcade Fire this week, “Everything Now”.  I hesitated, thinking this band is popular enough that everyone is probably familiar with them.  But in actuality, I’m guessing many of you may not have listened to much of this band.  And if you have, their sound has been changing quite a lot over their last few albums.  First formed back in 2003 in Montreal, Arcade Fire has evolved from indie rock royalty into mainstream popularity over the course of their 5 studio albums.  And that journey is one that is bound to leave some fans behind, since indie darlings finding commercial success is a sure way to cause some divisiveness.  The band has an interesting beginning – Win Butler (bandleader/singer) spotted Regine Chassagne singing jazz at an art exhibit.  He was charmed, they started a songwriting partnership and then a personal partnership (and eventually marriage).

They then recruited other members for their new band, including Win’s younger brother William.  Since the band members had many eclectic tastes, these different influences were incorporated into their music.  So you had bossa nova, punk, French chanson and pop influencing their sound.  You can hear elements of U2, David Bowie, Talking Heads and other influences.  After cutting an EP, they signed with Merge Records. 
The band unfortunately had a run of deaths unfold prior to recording their first LP – four members had relatives pass.  These deaths sparked their first album aptly titled “Funeral”.  “Funeral” blew-up from a critical perspective which also led to some commercial success.  Arcade Fire played Lollapalooza, Coachella and everywhere in between.
They made the Canadian cover of Time magazine and received a Grammy nomination for best alternative album.  They toured with U2 and counted David Bowie as one of their fans.  For their follow-up, they camped in a church outside of Montreal and recorded “Neon Bible”, which featured a pipe organ, military choir and a full orchestra. 
This album peaked at #2 on the charts and they continued to tour relentlessly.  They put on a great live show, so all of their touring definitely continued to grow their fan base.  Record #3, “The Suburbs”, with its themes of suburban sprawl, childhood memories and middle-class dreams led to #1 charting positions in the U.S. and U.K.  The band also earned many rewards, including a Grammy for album of the year.  They were now selling out shows all around the globe.  For album #4 (a double album), “Reflektor”, they brought on James Murphy (LCD Soundsystem) to produce.  This was more dance-oriented and brought in a lot of world music sounds.  After another ambitious world tour, that brings us to today and their most recent album “Everything Now”.
 
This album has been the least critically-received of any of their albums to date.  But I think that’s to be expected, given where the band is today.  Once you reach the level of popularity Arcade Fire is at, there are many people waiting to take you down.  Also, if you change your sound up, you always run the risk of people being disappointed because they liked your old sound better. 
Now the album isn’t getting completely panned, there are plenty of stellar reviews mixed in with the naysayers – there are just more naysayers than in the past.  Personally, I really enjoy this album. I understand what the band was trying to accomplish and I like the overlying themes of the album which are statements about today’s society. 
There are songs that reflect the demands for wanting everything right here, right now, wanting to be famous (or at least have a big social media presence) or life’s not worth living, not knowing what you want but wanting everything anyway, access to infinite content, and finding meaning in today’s world. 
The band brought in multiple producers including Thomas Bangalter (Daft Punk), Geoff Barrow (Portishead), Steve Mackey (Pulp) and longtime collaborator Markus Dravs.  The album definitely has a solid groove and danceability that is continued from “Reflektor”.  There is less of a world music influence and more of a disco vibe going on.  Maybe this is an element that turned some off?  Maybe it’s the themes the band is tackling – too big in scope?  Any critique on modern-day society is going to have its naysayers. 
At the end of the day, I think many critics just wanted something to complain about regarding Arcade Fire, because the band is too big now to meet everyone’s objectives.  If they were a new band and they released “Everything Now”, it would have created an unbelievable positive buzz in the music world.  But we all know that is not the case, and the resulting critiques are what they are.
At any rate, Arcade Fire have their 3rd #1 album and a solid addition to their catalog.  I say just enjoy the album for what it is – a solid piece of pop music making a statement about some of the themes going on in today’s society that can also be fun to dance to.  Here are 3 of my favorite songs from “Everything Now” that all appear at the beginning of the album. 
 
Everything Now – The lead track and single from the album, this song has a joyful sound.  I think this is a good example of some past elements of the band’s music evolving into their current sound.  Produced by Daft Punk’s Thomas Bangalter, this song sounds great.  Listen to all of the different instruments that are incorporated throughout this track.
 
Signs of Life – You definitely hear the disco influence on this track.  Also produced by Daft Punk’s Thomas Bangalter.  I like the chorus on this song – “looking for signs of life every night, there’s no signs of life, so we’ll do it again”.  This song has a little bit darker feel, with the prominent bass and slightly ominous synths.  They may have been influenced by previous producer James Murphy on this song.  Nice handclaps at the beginning. 
 
Creature Comfort – The track rounds out the first 3 on the album (not counting the intro at the very beginning).  Interesting note, the album was recorded so the ending rolls right into the beginning intro.  So if you listen on repeat, there will be no break in the flow.  My favorite lyric “God just make me famous and if you can’t, just make it painless”.  I’m hearing a big Talking Heads influence on this track.  Chassagne’s background vocals are a great contrast.  Geoff Barrow from Portishead produced this track.  Interestingly I don’t hear Portishead at all, but I do like the production on the song. 

Release Radar

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August has been redeemed this week by more noteworthy releases than you can shake a stick at!  Iron & Wine (Sam Beam) gives us his first new material in 4 years as Iron & Wine with “Beast Epic”, the debut album “Invitation” from supergroup Filthy Friends (Peter Buck (R.E.M.), Corin Tucker (Sleater-Kinney), plus friends), Bay Area garage/psych rockers Thee Oh Sees (now just Oh Sees)give us maybe their 16th? Album with “Orc” and finally Australian rockers King Gizzard & the Lizard Wizard drop their 3rd album of 2017 (goal is a total of 5!) with “Sketches of Brunswick East”. 

Notable and esteemed rockers Queens of the Stone Age unleash their 7th album with “Villains”, Philly rock traditionalists The War on Drugs drop album number 4 “A Deeper Understanding”, Long Island band Brand New who have evolved from punk/emo to more indie rock release their long-awaited 5th album “Science Fiction”, underrated EMA gives us her 3rd proper album which is a commentary on the current social plight in the Midwest “Exile in the Outer Ring”

Something new for just about anyone who enjoys music this week.

Release Radar – Rainer Maria’s “S/T”

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The most exciting release this week is a reunion album from a band I had never listened to – Rainer Maria’s “S/T”.  I saw a recommendation somewhere in the blogosphere which is why I listened to a few singles which immediately impressed me.  The new album is not a disappointment and I’m enjoying it quite a lot.  I don’t know if it sounds like their earlier work, but I have a feeling I wouldn’t like their older albums as much as their new one. 
Rainer Maria is an indie rock/emo (I don’t consider this new album emo by any means) originally from Madison, WI but now based in NY.  First forming in 1995, the band had an EP out in ’96 which led to an album release in ’97.  They released their second album in ’99 and then another EP in ’01.  They continued to build a worldwide fan base and released their most accomplished album yet in ’03 “Long Knives Drawn”. 
They would go on to release two more albums the next two years before breaking up at the end of their ’06 tour.  Then 8 years later they reunited for a New Year’s Eve concert at the Bowery Ballroom in NY.  They played some more shows the following year.  Then this summer, they released several singles from their new album and released “S/T” today. 
After Rainer Maria broke up at their peak, singer/bassist Caithlin De Marrais moved out to the country and tried a solo career, drummer William Kuehn spent time living and studying music in the Middle East and guitarist/singer Kaia Fischer studied Buddhism in Tibet and came out as a trans person. 
The three friends found themselves all back in NY again, reflected on their significant life changes and decided to write some new music.  And I’m happy they made that decision.  “S/T” is a confident, heavy and spacious slab of indie rock that is very welcome right now.  I’ve featured three songs below to check out from their new album.
 
Suicides and Lazy Eyes – Driven by a bombastic beat and a fuzz heavy bass line, this song makes an immediate impact.  It’s also a good example of how the band can simultaneously mix heavy and spacious into their sound.
 
Lower Worlds – The band doesn’t pause between tracks on the album, kind of giving the vibe of a live show with one track moving right into the next.  The transition between “Suicides…” and this song is seamless.  But once you hear the distinctive bassline on this track you realize the song has changed.  I love the riff on this track.
 
Possession – Starts off a little softer, but the rhythm section kicks in hard.  I like how each of the three instruments is prominently featured in the mix and the guitar effects work really well to create a cohesive sound.  Good stuff.

Release Radar – Ron Gallo Young Lady You’re Scaring Me

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Notable new releases this week continue to remain on the lean side – Downtown Boys are getting a lot of positive press on their third album “Cost of Living” with their upbeat punk sound and multi-racial, gender-integrated bilingual line-up (with two sax players) hailing from Rhode Island. Frankie Rose has been a part of Vivian Girls and Dum Dum Girls and after some unforeseen delays she has released her third solo effort “Cage Tropical”.  Cormorant are a blackish metal band with progressive elements based in the Bay Area and they are releasing their 5th album today “Diaspora”.  Finally, Kesha has released “Rainbow” and it is worth checking out(who knew?).
 
Bob Lefsetz also decided to do a write-up on Greta Van Fleet this week after I did – http://lefsetz.com/wordpress/2017/08/10/greta-van-fleet/
 
This week I’m covering Ron Gallo, who’s Philly-bred but now residing in Nashville guitarist/vocalist whose band is also called Ron Gallo (Joe Bisirri on bass and Dylan Sevey).  Gallo has crafted a garage punk sound with a hint of Nashville in it.  They released their first album “Heavy Meta” back in February.  Gallo did a previous solo album, but it had a much different sound than the current release. 
Prior to his solo career, Gallo was in a band called Toy Soldiers which was more blues and country sounding.  He has abandoned that sound with his new garage punk and gritty, retro sound.  The band sounds pretty tight, and their music also features some great sharp-witted lyrics.  With song titles like “Why Do You Have Kids”, “All the Punks Are Domesticated”, “Young Lady, You’re Scaring Me” you can imagine the swagger and social commentary that fuels his music. 
I like Gallo because his music stands out right now, both in sound and attitude.  The first time I heard “Young Lady, You’re Scaring Me” on the radio I immediately had to find out who the artist was because it was such a unique sound (and awesome song).  Here’s a few tracks below from “Heavy Meta” which is actually worth listening to all the way through – but these songs are a good starting point.
 
Young Lady, You’re Scaring Me – The lead cut on the album and my favorite, I enjoy the energy from the band and Gallo’s interesting lyrics.  There’s an interesting guitar tone and a prominent bass line as well.  I don’t know if anyone remembers the Hoodoo Gurus, but Gallo’s voice sometimes reminds me of that band (who were way underappreciated).  Nice little solo at the end of the song as well.
 
Put the Kids to Bed – A great one-two punch to start the album, this track has a great little bassline that is prominently featured.
 
All the Punks are Domesticated – The second half of the album is a little slower, and this is the final cut on the album.  Even Gallo’s slower songs are interesting, due to his lyrical content and the interesting recording style on the album.  For some reason, this reminds me, just a little bit, of the Replacements.

Friday’s Release Radar – Greta Van Fleet

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Notable new releases this week are lean but here’s four to investigate – Girl Ray, comprised of three 19 year old girls who started playing together in high school 3 years ago (same North London high school where the Kinks formed), have released their debut LP “Earl Grey” which has an indie pop flair with a warm vintage sound and they combine many influences to create their own sound.  Randy Newman has released his first album in 9 years “Dark Matter” and he’s always worth checking out.  Dead Cross, comprised of Mike Patton (Faith No More), Dave Lombardo (Slayer) and two other guys have released their thrash-tinged S/T debut.  Finally Rope Sect, which is a German band with a subdued gothic punk sound have dropped “Personae Ingratae” and they have an interesting sound worth checking out.
 
I’m not going to pass on a rock band that can capture some of the vintage Led Zeppelin sound and energy and also put their own mark on their sound (I’ll take Led Zep over the Beatles any day).  Wolfmother and Rival Sons are two bands that immediately come to mind where the soul of Zeppelin is strong.  Now we also have Greta Van Fleet coming on the scene who also bring in a whole lot of Led Zep vibe.
Coming out of Frankenmuth, MI, these young whippersnappers have been playing together for over 4 years.  3 of the 4 members are brothers (twins Josh Kiska on vocals and Jake Kiska on guitar, younger brother Sam Kiska on bass and Daniel Wagner is behind the kit).  3 years ago they recorded a live EP, and Chevy latched onto “Standing On” for an Equinox ad.  The quartet then got signed to Lava Records.
This label helped them get a song “Highway Tune” on the Showtime series “Shameless” and this song also acts as the anchor for their debut EP “Black Smoke Rising”.  It’s only 4 tracks, but a ton of fun to listen to as Josh channels a young Robert Plant on vocals (luckily Plant is alive or there would be reincarnation talk).  Yes, there’s a lot of Led Zep in their 4 original songs, but they perform with so much enthusiasm and energy it keeps things fresh.  I’m sure these guys likely kill it live, so check this band out if they’re playing in your city at a local club.  It may be your chance in the future to say you saw these guys in a small club before they were playing stadiums.  I’m eager to see what Greta Van Fleet can do when they are ready to release their debut full-length album.  Check out the songs below and don’t be surprised if they put a smile on your face!  Special thanks to Braden for pointing this band out to me!
 
Highway Tune – Yes, similar guitar tone to Page, and then the Plant wail kicks in.  Man, these guys could be a killer Led Zeppelin cover band.  This song is short and sweet.
 
Safari Song – Another great Plant wail to kick off the song.  The 3 musicians have a good chemistry and seem pretty locked in on this song (the drummer is channeling Bonham here).
– live version – these guys can really play/sing (check out the drum solo 4 minutes in)
 
Black Smoke Rising – What do you know, the beginning of this song doesn’t sound just like Led Zep.  And Josh kicks up his register a bit so he sounds just a little bit unlike Plant.  This song is a little bit more slowed down than the first two.  If Great Van Fleet can get their sound a few more degrees away from Zeppelin, it will benefit them going forward.

Friday Release Radar

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Its Friday!! Time again to mix up the ole playlists.
Do yourself a favor and go check-out “Baby Driver” if you have the time to see a movie.
It’s very entertaining but also one of the best examples I’ve ever seen of incorporating/immersing the soundtrack into the movie.  Many scenes have been set-up and choreographed to play out exactly in time with the music – even machine gun fire going off right on the beat of the music.  The main character is always listening to music on his ear buds (there’s a story behind that), so the music isn’t being thrown randomly into the movie.  Great soundtrack to buy as well, but with 30 songs featured it’s a double cd/album.
 Image result for haim band
Some good new releases to check out include the sophomore album from the excellent song-crafting sister trio Haim with “Something To Tell You”, Broken Social Scene are back together and “Hug of Thunder” is very good if you’ve enjoyed any of their previous releases, David Bowie has a live album from ’74 in LA “Cracked Actor” that is very good, DJ Shadow released a new EP “The Mountain Has Fallen” that features Nas and Danny Brown on two different tracks, King Gizzard & The Lizard Wizard released their second album this year “Murder of the Universe” which is another solid effort, and a deluxe edition of the album “Introducing” from Cuban bandleader Ruben Gonzalez is a good listen if you like Cuban music and enjoyed “The Buena Vista Social Club”.  Rapper Vince Staples also has a new album “Big Fish Theory” but I haven’t had a chance to listen to it yet.
Image result for bison band
On the metal front there are excellent new releases starting with Polish death metal band Decapitated who don’t disappoint with “Anticult”, sludge metal band Bison have dropped the “B.C.” from their name, added some new elements to their sound and released a solid new album.
“You Are Not the Ocean You Are the Patient”, southern blackened death metal band Goatwhore unleashed “Vengeful Ascension”, new band Ex Eye have created a black/post/doom/jazz metal sound that actually works on their S/T debut, and Richmond, VA thrash rockers Municipal Waste have completed another fun release with “Slime and Punishment”.
 Image result for Shabazz Palaces
Finally, the new albums out today that I’m interested in hearing include Waxahatchee’s 4th album “Out in the Storm” which is garnering extremely positive reviews, the first LP from Philly band Sheer Mag “Need to Feel Your Love” which highlights their garage/punk/AOR sound and finally the first hip-hop act signed to the Sub Pop label, Shabazz Palaces, released two albums today featuring their left-field sound with “Quazarz vs. The Jealous Machines” seemingly the stronger of the two.
New Music Friday is your favorite day isn’t it..

Release Radar – A good week for Pop

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Lots of fun pop releases this week not to mention a new album from UK alt-rockers The Charlatans “Different Days” and there’s a 50th anniversary release for the Beatles “Sgt. Pepper” (remix is pretty good).

 

All I’ve been listening to lately is Soundgarden, Audioslave, Temple of the Dog, Tool and a little Pixies, Mastodon and Sublime. Never a bad choice to listen to almost anything by those bands.

 

I did see Tool in concert for the first time this week and it was an both an auditory and visual experience. Great musicians plus a lot of attention and detail to their lighting and projections to complement the music. Plus, they have actual fanatics for fans. Lots of love going on there for those four guys. And the longest merchandise lines I can remember seeing at a concert. And they stayed that way the entire evening.

Image result for tool band

Many people walking around with plastic shopping bags overflowing with merch. It seemed like about 75% of the attendees were wearing Tool shirts. However, I saw a number of Soundgarden shirts walking around as well.

Stop in next Friday for your weekly Release Radar from Noisy Planet.

Release Radar

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This week has an overflowing handful of interesting new releases including the debut solo album from Amber Coffman (formerly of Dirty Projectors but when you break-up with your boyfriend and he’s the leader of the band a solo career suddenly seems like a really good idea) “City of No Reply”, Dan Auerbach of the Black Keys is releasing his second? solo album “Waiting on a Song”, Roger Waters (Pink Floyd) is releasing his first solo album in quite some time “Is This The Life We Really Want?”, Alt-J are dropping “RELAXER” and on the harder side Mutoid Man featuring Stephen Brodsky (Cave In) and Ben Koller (Converge) share their second album “War Moans” and Philly-rockers Elder give us their 5th album “Reflections of a Floating World”

Chris Cornell’s toxicology report showed multiple prescription drugs in his system, including 4 Ativan, Narcan (from EMTs), Butalbital and Pseudoephedrine (decongestant). Clearly he wasn’t in his right mind and it resulted in a catastrophic impact.

For you Tool fans (or the curious) here’s a link to the show I was aa a couple weeks ago in Virginia. If you’re not familiar with them, go right to 1:38:36 and watch their final song. Another good part to check out is the 18:00 mark with “Schism”.

Victorious by Wolfmother

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This week I’m highlighting the latest release from Wolfmother, which is basically Andrew Stockdale and whoever else he assembles to record their current album.  Wolfmother has a classic hard rock sound that harkens back to the ‘70s, showing glimpses of Black Sabbath, Led Zeppelin, Deep Purple and many other bands from that era.  Generally Stockdale plays at a high energy and higher tempo level though, and FUN is always a priority.  Wolfmother favors soaring choruses and massive guitar riffs with plenty of effects.  Are they the most original band playing out there today – no.  Are they usually fun as hell to listen to when you’re in the mood to hear this type of music – most definitely!  Every album has at least half a dozen tracks that are a complete blast.  Consider them the aural equivalent of a classic comedy movie that doesn’t score well with movie critics but nevertheless is still a favorite for many moviegoers.  Wolfmother delivers on all that they attempt to offer, which is simply some classic hard rock good time songs.
 
To give you a little background on the band, they first formed in Sydney, Australia back in 2000, when Stockdale (guitar/vocals) formed the band with a drummer and bassist/keyboardist (really the names don’t matter since it’s a revolving door for everyone else – for the third album Stockdale decided to release it as a solo effort because it really was just him at that point in time and no one else).  The early days were literally just jamming in a garage before the band even performed their first concert 4 years later.  A few months later they got a deal to cut an EP.  The EP charted in Australia and they kept touring before signing with Universal Records to record their debut full-length album.  This self-titled album was huge after it came out in Australia at the end of ’05, eventually reaching quintuple platinum status there (there’s always a good audience for fun hard rock).  This led to the album coming out in other countries throughout 2006, with multiple singles and plenty of film and video game placements.  This started the revolving door of other personnel in the band.  They expanded to a quartet with a second guitarist and released their sophomore album at the end of ’09, titled “Cosmic Egg”.  While it still charted in many countries, #3 in Australia and top twenty in the U.S., it did not generate the same level of excitement as their debut.  This led to many more personnel changes, the aforementioned “3rd album” which was an Andrew Stockdale solo album “Keep Moving”.  This solo effort did not fare well on the charts, even in Australia it peaked at #32.  This led Stockdale to go back to the Wolfmother moniker again and go with a trio for the official Wolfmother 3rd album “New Crown”, released in 2014.  Now, in 2016 Wolfmother’s 4th album “Victorious” has been released.  Legendary hard rock producer Brendan O’Brien produced the album (Pearl Jam, Soundgarden, Rage Against the Machine, Black Crowes, Stone Temple Pilots).  Stockdale handled guitars, bass, vocals, he picked up a keyboard guy and used a couple of seasoned drummers on the album (Josh Freese and Joey Waronker).
 
“Victorious” is a solid effort, while there are some missteps there are enough hits to make it worthwhile.  It might as well be a Stockdale solo album, the one element that is missing is more band interplay that could have made the overall album stronger.  But if you listen to it more as a series of singles, it works just fine.  Here are a few tracks to give you a taste of the Wolfmother sound.
 
“Victorious” – The title track certainly is an example of a classic Wolfmother song.  Soaring vocals on a simple chorus spun around a classic guitar riff.  Verses with Stockdale’s high-pitched vocals floating amongst some chugging riffs.  Instrumental breakdown in the latter half of the song, introducing a new pedal effect.  It’s all here and done quickly and efficiently so you’re not tired of the song before it ends.

 
“City Lights” – A screeching distorted guitar riffs rings out to kick this track off.  The bass drives the verses more, with some nice keyboard accents.  The chorus is the highlight, as everything comes together nicely and it hits hard and fast before backing off and starting the whole process over again.  The instrumental breakdown on this track has Stockdale playing two guitar parts for a nice effect.  Phrases like “psychedelic satellite” are thrown out just because they sound cool, not to provide any real meaning.  But that’s ok, you’re not listening to Wolfmother to interpret the meaning of the songs, you just want to rock out.

 
“The Simple Life” – Another flavor of a typical Wolfmother song – this one highlights the drums a bit more and nails another epic chorus with some more cool guitar sounds.  The instrumental breakdown in this song adds some different keyboard elements as well.  Stockdale does a nice job over the last 30 seconds or so bringing everything together to a suitable conclusion.