This week it’s really all about only one new release – Converge’s “The Dusk In Us”. The legendary Massachusetts hardcore/metal/
punk/touch of jazz band is not for most people since they are extreme all the way around. But they feature incredible musicianship, thought-provoking lyrics and innovative song writing. But vocalist Jacob Bannon is intense, so you will need to absorb those thought-provoking lyrics as they are passionately screamed into your ears. This is album #10 for them and it’s been over 5 years since their last release. The 4 members of Converge all also play in other bands, and guitarist Kurt Ballou is one of the most sought-out hardcore/metal producers in the industry. I’m such a fan of his work, I actually have a t-shirt with a photo of his GodCity studio located in Salem, MA. There are no other notable releases worth pointing out this week, but if you’re curious I’ll be checking out new albums (with low expectations) from Gunn- Truscinski Duo, Blitzen Trapper, Tracy Bonham, 21 Savage, Kid Rock and Ty Dolla $ign.
If you read last week’s email, you may recall a comment I made about Chris Stapleton hyp
othetically destroying all other contestants on The Voice if he were to go on the show and sing “Either Way”. Well lo and behold one of The Voice contestants decided to sing “Either Way” this week. Unfortunately it didn’t work out for him, but he’s not Chris Stapleton (but he did a fine job – Blake just wanted to keep the other guy on his team because he was very unique).
I have written a piece about J. Roddy Walston & The Business before, but they have a new album out titled “Destroyers Of The Soft Life” and you should check it out. This four-piece Southern rock band originally formed in Tennessee 15 years ago, but quickly relocated to Baltimore. They initially had a few lineup changes, but have been steady lately with J. Roddy Walston on vocals/guitar/and the hardest rocking piano playing you’ll ever see, Billy Gordon on guitar, Logan Davis on bass and Steve Colmus behind the kit. These guys have developed a huge live following, because 1) they have some great songs to play live and 2) J. Roddy Walston is a formidable presence on stage. I’ve never seen anyone headbang playing the piano like he does. Check out some live performance clips on YouTube to see it for yourself. Anyway, this is just the band’s 4th proper album, and it appears that they are gunning for more commercial success with this release. The songs are less raw and are more polished and radio-friendly. So you lose a little of the rawness/excitement factor, but they could gain an even bigger audience. J. Roddy Walston moved to Richmond, VA since their previous album was released (his wife is from the area). He and the band built their own recording studio in Richmond, where they worked on “Destroyers Of The Soft Life”. This local connection is personally nice for me because the band frequently plays in Richmond. In fact, Thanksgiving weekend they have a 3 night stand at a local club and I’m dragging my wife, son, sister-in-law and nephew to one of the shows – promising them an entertaining evening. The band has their own unique sound, but you’ll hear elements of My Morning Jacket, Kings of Leon and The Band. When trying to select songs to highlight from the album, I realized I had marked 8/10 tracks on the album. So yeah, to say the least it’s a strong album (I can’t remember ever having that many songs from an album to draw from). And none of these below are even the initial singles from the album. At the very least, when they come around to a venue near you, go check them out. You will be entertained.
“You Know Me Better” – The lead track on the new album, and this song sounds most like their older material. Maybe that’s the reason it’s my early favorite song on the album. Plus I’m sure this is going to be terrific live.
“I Called You” – The band does have a slower, softer side and this track is one example of that. This is also an example of a more carefully crafted song that is an attempt to broaden their fan base. Nice use of a big drum sound to really boost the choruses.
“Bleed Out” – And here’s a mid-tempo example, but the chorus is massive. J. Roddy puts everything he has behind the vocals on this track.
If you can’t be bothered to do a search on YouTube to see a performance video, here are a couple of live clips:
v=kyd2LfJt2QA – “Take It As It Comes”
v=3wdv5-TrUhg – “Don’t Break The Needle”